Feature Film, directed by Tomm Moore, produced by Cartoon Saloon - Superprod - Melusine - Norlum - The Big Farm, 2014.
I had the immense pleasure to craft the sound design on Song of the sea, a beautiful movie which came out at the end of 2014, and made a run at the 2015 Oscars in the Animated Feature Film section.
The production flew me to Ireland to meet the team and record sounds around the country, thus making sure fona and flora would be aptly represented through the sound design. You can read a bit more about that here.
Few months later in the studio my colleague Alexandre Jaclain and I had a great time building the sonic picture of the movie together, along with foley artist Julien Billeau.
Santa's Apprentice 2
Feature Film, directed by Luc Vinciguerra, produced by Gaumont animation, 2013.
My first time working on a feature film, I was the sole sound designer on the project, which was quite the worthy and exciting challenge indeed !
I work on a regular basis with the portuguese company Ocubo, which specializes in fantastic huge video mapping public events. I take care of all sound sfx design while my composer friend Sylvain Moreau takes care of the music. Most often that not we have to produce precise surround mix for up to 8 speakers, serving sound to large public spaces, which proves to be an exciting challenge every time.
52x11 - Gaumont Animation - Directed by Fred Martin
I did all the sound effects for Furiki Wheels. It was a fantastic opportunity to go out and record cars with character and get the mics stained with gasoline.
Animation TV Show, 104*13, directed by Natalys Raut Sieuzac, produced by Oudio Animation, 2015-2017
While tv shows usually have several sound designers sharing the sonic palette, I had the opportunity of being the sole sound designer on Sonic Boom. Obviously this leads to a very close relationship with the team and the final product, which I am very proud of. With two seasons under my belt, that's a lot of Sonic.
I’ve worked for a variety of companies for various VR short commercials and promo materials, including :
Documentary, directed by Oswald da Cruz, produced by Daniel Martin and Urubu, 2015.
My first foray into documentary, I did the sound design and mix for this one. Working with the on set volcano sound recordings was a blast (...), and so was the whole experience.
Animation TV Show, 104*13, directed by William Renaud, produced by Gaumont animation, 2015.
Working with several sound designers altogether, we knitted a very precise sonic palette and did quite a bit of recording to find small gears, lovely tiny old timey mechanisms and such, resulting in a delicate final product.
The Little Prince
Animation TV Show, 78*26', Directed by Pierre-Alain Chartier, Produced by Method Animation, , 2011-2015.
Spanning over three seasons and 4 years, the large amount of different worlds and atmospheres on display in The Little Prince had us all dig deep to be up to the sound design challenge !
26*26', Directed by Antoine Charreyron, Produced by Gaumont Animations, 2013.
Intense and action packed with relentless camera movements, a delight to work on as a sound designer, allowing me to bring out the sonic muscles without concession.
Animation TV Show, 26*26', Directed by Philippe Guyenne, Produced by Method Animation, 2012.
Animation TV Show, 104*13, Directed by Cyril Adam, Produced by Method, 2014.
Pok et Mok
Animation TV Show, 52*13, Directed by Isabelle Lenoble, Produced by Gaumont Animation, 2012.
Dude that's my ghost
Animation TV Show, 52*13, Directed by Frederic Martin, Produced by Gaumont Animation, 2013.
Animation TV Show, 26*26', Directed by Augusto Zanovello, Produced by Method Animation, 2012.
Animation TV Show, 104*13', Directed by Cyril Adam, Produced by Gaumont Animation, 2012.
Fish and Chips
Animation TV Show, 52*13', Direct by Prakash Topsy, Produced by Ouido, 2010.